Unidentified Speaker — Masters vs. Slaves | Nietzsche's Genealogy of Morality Expl… [M0w2eQ-FcEA]
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The aesthetic ideal seeks to deny oneself all natural desires (food, water, sex, sleep, pleasures) and social desires (money, reputation, honor) as a form of will-to-power—the ascetic priest exercises power by securing political legitimacy through the appearance of powerlessness and transcendence.
Nietzsche had a dark side and also a positive yes-saying, value-creating side; he is one of the great geniuses of the 20th century whose insights (validity of ad hominem, resentment in moral systems, asceticism as will-to-power) remain invaluable even when his work has fundamental limitations.
The Renaissance was driven not by Christian love but by Medici competition between rival patron families and the agonistic forces of the pagan psychological drives of the artists themselves; Christian civilization only produces greatness when it actively subverts its own fundamental principles of equality and compassion.
Nietzsche uses the metaphor of eagles hunting lambs to argue that lambs inventing the concept of 'free will' to blame eagles for hunting is absurd, because it is in the nature of eagles to hunt and lambs to be hunted—thus moral blame and praise require freedom, but freedom may be an illusion slaves invented to blame the powerful.
All instincts that do not discharge outwardly turn inward—civilization prevents external outlets for cruelty (violence, warfare), so this cruelty is redirected internally, creating the human soul, conscience, guilt, and ultimately the self-torture of the ascetic ideal and guilt before God.
Communism, socialism, feminism, and animal rights activism are Christian phenomena through and through because they have as their orienting concern a concern for the victim; even atheism and science, despite their opposition to Christianity, are Christian phenomena because they adopt the Christian value of 'truth at all costs'.
Slave morality does not hold values for their own sake but only as moral weapons against the masters; the example is the speaker's progressive acquaintance whose primary motivation was hatred of the rich, so whatever opposed wealth (socialism, communism, welfare) became his value regardless of content.
Nietzsche reads Christian love and God's punishment of sinners in the afterlife as manifestations of hidden vengeance, not love—since there is no possibility of moral improvement for the damned, eternal punishment cannot be corrective and thus must be understood as pure retribution masquerading as love.
Nietzsche claims that every great philosophy is the personal confession of its author—the moral intentions and psychology of the philosopher determine their metaphysical claims, so ad hominem arguments critiquing the thinker rather than the thought are not only valid but necessary to understand how philosophical systems are formed.
Nietzsche's example of Socrates: Socrates was ugly, and because he had the ugliest nose but the biggest brain, he devalued the material world and elevated abstract ideas—his philosophy's shape is determined by his ugliness, illustrating how even great philosophers' metaphysics are products of their personal circumstances.
Poverty, humility, and chastity are not virtues that philosophers choose because they are virtuous, but rather the necessary conditions for pursuing their supreme project (truth-seeking); the philosopher rejects wealth and desires because these come with obligations that distract from his work.
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